Irene Dunne

Irene Dunne


from Love Affair (1939) Born Irene Marie Dunn
December 20, 1898(1898-12-20)
Louisville, Kentucky, U.S. Died September 4, 1990 (aged 91)
Los Angeles, California, U.S. Occupation Actress Years active 1922-1962 Spouse(s) Francis Dennis Griffin (1928-1965) (his death) 1 adopted daughter

Irene Dunne (December 20, 1898 – September 4, 1990) was an American film actress and singer of the 1930s and 1940s. Dunne was nominated five times for the Academy Award for Best Actress, for her performances in Cimarron (1931), Theodora Goes Wild (1936), The Awful Truth (1937), Love Affair (1939) and I Remember Mama (1948).

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Born Irene Marie Dunn in Louisville, Kentucky to Joseph Dunn, a steamboat inspector for the United States government, and Adelaide Henry, a concert pianist/music teacher from Newport, Kentucky, Irene Dunn would later write “No triumph of either my stage or screen career has ever rivalled the excitement of trips down the Mississippi on the river boats with my father.” She was only eleven when her father died in 1909. She saved all of his letters and often remembered and lived by what he told her the night before he died: “Happiness is never an accident. It is the prize we get when we choose wisely from life’s great stores.”[1]After her father’s death, she, her mother and younger brother Charles moved to her mother’s hometown of Madison, Indiana. Dunn’s mother taught her to play the piano as a very small girl. According to Dunn, “Music was as natural as breathing in our house.”[1] Dunne was raised as a devout Roman Catholic.[2] Nicknamed “Dunnie,” she took piano and voice lessons, sang in local churches and high school plays before her graduation in 1916.She earned a diploma to teach art, but took a chance on a contest and won a prestigious scholarship to the Chicago Musical College. She had hopes of becoming an opera singer, but did not pass an audition with the Metropolitan Opera Company.

Irene, after adding an “e” to her surname, turned to musical theater, making her Broadway debut in 1922 in Zelda Sears‘s The Clinging Vine.[3] The following year, Dunne played a season of light opera in Atlanta, Georgia. Though in her own words Dunne created “no great furor,” by 1929 she had a successful Broadway career playing leading roles, grateful to be at center stage rather than in the chorus line. Dunne met her future husband, Francis Griffin, a New York dentist, at a supper dance in New York. Despite differing opinions and battles that raged furiously,[1] Dunne eventually agreed to marry him and leave the theater.Dunne’s role as Magnolia Hawks in Jerome Kern and Oscar Hammerstein II‘s Show Boat was the result of a chance meeting with showman Florenz Ziegfeld in an elevator the day she returned from her honeymoon. Dunne was discovered by Hollywood while starring with the Chicago company of the musical in 1929. She signed a contract with RKO and Dunne appeared in her first movie in 1930, Leathernecking, an early musical. She moved to Hollywood with her mother and brother, and maintained a long-distance marriage with her husband in New York until he joined her in California in 1936. That year, she re-created her role as Magnolia in what is considered the classic first film version of Show Boat, directed by James Whale.


Dunne with Melvyn Douglas in Theodora Goes Wild.During the 1930s and 1940s, Dunne blossomed into a popular screen heroine in movies such as Back Street (1932), and Magnificent Obsession (1935). The first of three films she made opposite Charles Boyer, Love Affair (1939) was one of her best. She sang “Smoke Gets in Your Eyes” in the 1935 Fred Astaire-Ginger Rogers film version of the musical Roberta.She was apprehensive about attempting her first comedy role, as the title character in Theodora Goes Wild (1936), but discovered that she enjoyed it.[4] She turned out to possess an exceptional aptitude for comedy. The unique Dunne trademark flair for combining elegance and madcap comedy is seen at its best in such films as The Awful Truth (1937), My Favorite Wife (1940) and Penny Serenade (1941), all three with Cary Grant. Other notable roles include Anna Leonowens in Anna and the King of Siam (1946), Lavinia Day in Life with Father (1947), and Martha Hanson in I Remember Mama (1948). In The Mudlark (1950), Dunne was nearly unrecognizable under heavy makeup as Queen Victoria. She retired from the screen in 1952, after the comedy It Grows on Trees.She performed as the opening act on the 1953 March of Dimes showcase in New York City. While in town, she made her first appearance as the mystery guest on What’s My Line?. She made television performances on Ford Theatre, General Electric Theater, and the Schlitz Playhouse of Stars, continuing to act until 1962.Dunne commented in an interview that she had lacked the “terrifying ambition” of some other actresses and said, “I drifted into acting and drifted out. Acting is not everything. Living is.”[5] It has been surmised, “She was strikingly beautiful and enormously gifted for drama, musicals, or comedy (an art at which…she was one of the best and most underrated).”[6]

In 1957, Dwight David Eisenhower appointed Dunne one of five alternative U.S. delegates to the United Nations in recognition of her charitable works and interest in conservative Roman Catholic and Republican causes. In her retirement, Dunne devoted herself primarily to civic, philanthropic, and Republican political causes. In 1965, Dunne became a board member of Technicolor, the first woman ever elected to the board of directors.Dunne remained married to Dr. Griffin until his death on October 15, 1965. They lived in Holmby Hills, California in a Southern plantation-style mansion that they designed. They had one daughter, Mary Frances (née Anna Mary Bush), who was adopted in 1938 from the New York Foundling Hospital, run by the Sisters of Charity of New York.[7] Both Dunne and her husband were members of the Knights of Malta.One of her last public appearances was in April 1985, when she attended the dedication of a bust in her honor at St. John’s (Roman Catholic) Hospital in Santa Monica, California, for which her foundation, The Irene Dunne Guild, had raised more than $20 million.

Dunne died peacefully at her Holmby Hills home in Los Angeles, California in 1990, and is entombed in the Calvary Cemetery in East Los Angeles, California. Her personal papers are housed at the University of Southern California.

Dunne has been described as the best actress never to win an Academy Award.[8] She received five Best Actress nominations during her career: for Cimarron (1931), Theodora Goes Wild (1936), The Awful Truth (1937), Love Affair (1939) and I Remember Mama (1948).In 1985, she was awarded the Kennedy Center Honors, Lifetime Achievement for a career that spanned three decades and a range of musical theater, the silver screen, Broadway, radio and television. Other honors include the Laetare Medal from Notre Dame University in 1949, the Bellarmine Medal from Bellarmine College in 1965 and Colorado’s Women of Achievement in 1968. She has a star on the Hollywood Walk of Fame at 6440 Hollywood Blvd. and displays in the Warner Bros. Museum and Center for Motion Picture Study.[9]

Year Title Role
1930 Leathernecking Delphine Witherspoon
1931 Cimarron Sabra Cravat
The Slippery Pearls Herself
Bachelor Apartment Helene Andrews
The Great Lover Diana Page
Consolation Marriage Mary Brown Porter
1932 Symphony of Six Million Jessica
Back Street Ray Smith
Thirteen Women Laura Stanhope
1933 No Other Woman Anna Stanley
The Secret of Madame Blanche Sally Sanders St. John
The Silver Cord Christina Phelps
Ann Vickers Ann Vickers
If I Were Free Sarah Cazenove
1934 This Man Is Mine Tony Dunlap
Stingaree Hilda Bouverie
The Age of Innocence Countess Ellen Olenska
Sweet Adeline Adeline “Addie” Schmidt
1935 Roberta Stephanie
Magnificent Obsession Helen Hudson
1936 Show Boat Magnolia Hawks
Theodora Goes Wild Theodora Lynn/Caroline Adams
1937 High, Wide, and Handsome Sally Watterson
The Awful Truth Lucy Warriner
1938 Joy of Living Margaret “Maggie” Garret
1939 Love Affair Terry
Invitation to Happiness Eleanor Wayne
When Tomorrow Comes Helen Lawrence
1940 My Favorite Wife Ellen Arden
1941 Penny Serenade Julie Gardiner Adams
Unfinished Business Nancy Andrews
1942 Lady in a Jam Jane Palmer
1943 Show Business at War Herself
A Guy Named Joe Dorinda Durston
1944 The White Cliffs of Dover Susan Dunn
Together Again Anne Crandall
1945 Over 21 Paula “Polly” Wharton
1946 Anna and the King of Siam Anna Owens
1947 Life with Father Vinnie Day
1948 I Remember Mama Martha “Mama” Hanson
1950 Never a Dull Moment Kay Kingsley Heyward
The Mudlark Queen Victoria
1951 You Can Change the World Herself
1952 It Grows on Trees Polly Baxter

  • Schlitz Playhouse of Stars (1951) Host
  • General Electric Theater (1953) episode: “Go Fight City Hall” 10/15/1962
  • Saints and Sinners (1962) episode: “Source of Information” 10/15/1962
  • Frontier Circus (1961) episode: “Dr. Sam” 10/26/1961
  • The DuPont Show with June Allyson (1959) playing “Dr. Gina Kerstas”, episode: “The Opening Door” 10/5/1959
  • What’s My Line? (10/20/1957) (Episode # 385) (Season 9, Ep 8) Mystery Guest.
  • Ford Theatre (1952) episode: “Sheila” 5/24/1956
  • Letter to Loretta (1953) Host, episode: “Tropical Secretary” 5/24/1956
  • Ford Theatre (1952) episode: “On the Beach” 5/24/1956
  • Letter to Loretta (1953) Host, episode: “Slander” 10/30/1955
  • Ford Theatre (1952) episode: “Touch of Spring” 2/3/1955
  • Ford Theatre (1952) episode: “Sister Veronica” 4/15/1954

  • ^ a b c Hats, Hunches and Happiness, by Irene Dunn, Picturegoer Magazine, February 17, 1945
  • ^ Stafford, Jeff. “Thirteen Women”. Turner Classic Movies. http://www.tcm.com/thismonth/article.jsp?cid=182349&mainArticleId=182340. Retrieved 2010-08-12. “Irene Dunne, a devout Catholic,…” 
  • ^ The Clinging Vine, Intern

    et Broadway Database

  • ^ Robert Osborne, Turner Classic Movies introduction to the film.
  • ^ Shipman, David. Movie Talk, St Martin’s Press, 1988, p 37
  • ^ Milton, Michael. Small Things, Big Things: Inspiring Stories of God’s Grace, P&R Publishing, 2009, p 75
  • ^ “Irene Dunne Adopts Baby: Actress Formally Becomes Foster-Mother of Girl, 4”, The New York Times, 17 March 1938, p. 17
  • ^ Milton, Michael. “Neil Postman, Irene Dunne and the Right Use of Entertainment” (accessed 21 August 2010)
  • ^ Academy of Motion Picture Arts and Sciences, Margaret Herrick Library, 2000, Gifts of Vanna Bonta
    • TCM Film Guide, “Leading Ladies: The 50 Most Unforgettable Actresses of the Studio Era”, Chronicle Books, San Francisco, California, 2006.

    • Pursuits of Happiness, by Stanley Cavell, Cambridge, Massachusetts, 1981.
    • The Runaway Bride: Hollywood Romantic Comedy of the 1930s, by Elizabeth Kendall, New York, 1990.
    • Irene Dunne: A Bio-Bibliography, by Margie Schultz, New York, 1991.
    • Irene Dunne: First Lady of Hollywood, by Wes D. Gehring (Lanham, MD: Scarecrow Press, 2003).
    • Irene Dunne: a bio-bibliography, by Margie Schultz (New York: Greenwood Press, 1991).
    • Fast-talking Dames, by Maria DiBattista (New Haven, CT: Yale University Press, 2001).

    • “I’m Still In Love With Irene Dunne”, by Wes D. Gehring, USA Today, July 2003
    • “Irene Dunne – Elegant Leading Lady of the Golden Age” by John Roberts; Films of the Golden Age (Fall, 1998, Issue #14) [1]
    • “We Remember Irene,” Film Comment (New York), by Richard Schickel, March/April 1991.
    • “Irene Dunne: Nominee for The Awful Truth,” Architectural Digest (Los Angeles), by Richard Schickel, April 1990.
    • “Irene Dunne (1904-1990): A Bright Star,” Filmnews,by Peter Kemp November 1990.
    • “Irene Dunne, Top-rank Film Star of the ’30s and ’40s, Dead at 88,” Variety (New York), 10 September 1990.
    • “Irene Dunne: The Awesome Truth,” Film Comment (New York), by James McCourt January/February 1980.
    • Interview with J. Harvey, Film Comment (New York), January/February 1980.
    • “Irene Dunne,” interview with John Kobal, in Focus on Film (London), no. 28, 1977.
    • “Hats – Hunches and Happiness” by Irene Dunne Picturegoer, (England) February, 1945.
    • “Irene Dunne: Native Treasure”, Close-Ups: The Movie Star Book, DeWitt Bodeen, edited by Danny Peary, New York, 1978.
    • Irene Dunne, in Films in Review (New York), Madden, J. C., December 1969.

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